I’ve been listening to Ella Henderson’s “Ghost” on repeat.
I keep going to the river to pray ‘Cause I need something that can wash all the pain And at most I’m sleeping all these demons away But your ghost, the ghost of you It keeps me awake
Throughout the day for at least two weeks, I find myself singing about going to the river to pray. The line is oddly evocative and nostalgic. I understand that need for prayer. I get that desire for all the pain to disappear into the current of the river never to trouble you again. (I was almost baptized in a river, but that’s a story for a different day.)
There’s a desperation in the song claws at me, but I feel compelled to listen. And listen and listen. Give up the ghost, she croons, give up the ghost. She pleads, Stop the haunting, baby. Her words feel too truthful. They resonate too much. She’s haunted, and damn, so are the rest of us. At least, I am.
I’ve thought a lot about haunting. I’ve tackled haunting from a theoretical perspective as a scholar interested in monsters and, tangentially, ghosts, their ephemeral partners. I adore the work of Avery Gordon and return often because of her careful attention to how absences seethe and harm. How the absence of ghosts makes them present. How ghosts become the signifiers of loss, trauma, and erasure. I read about ghosts with detached observation. Yet, the more I analyzed theories of ghosts and haunting, the more the question became personal and unavoidable. We all live with ghosts. We don’t always confront them. What began as scholarly questions about haunting transformed into an essay about a particular ghost of my younger life. I couldn’t theorize ghosts with confronting one of my own. Continue reading Ghost→
There are many reasons for this, including the children being off of preschool and school for about three weeks, the swirl of holiday engagements, and a pile-up of writing assignments (which is a good problem to have). Add to all of these a serious funk about what I’m doing with my life that seems to happen about every January.
I needed a break. I needed time and space away from social media, blogging, and the internet more generally to figure some things out.
I have now had that time, and I’m looking forward to getting back in the swing of blogging alongside my other writing. I cannot guarantee that I’ll blog regularly because I never really manage to do that anyway. In 2015, I will try to post something once or twice a week to keep y’all updated on what I’m doing. This is not a resolution but rather a goal.
I will be adding a new feature to the blog, essays that I love, in which I direct you to essays that I adore for reasons both varying and wide. Look forward to my first post soon. Additionally, I hope to be better at pointing out what I’ve written that’s recently published. Hope is the operative word. In the next few weeks, I’ll highlight my favorite essays that I wrote in 2014.
I keep a notebook for my ideas of what to write. Actually, I keep notebooks (plural), virtual (Evernote) and physical. Fragments of what I write rest in so many places. I cannot corral my words even when I try too.
None of my notebooks are even close to full. Blank pages dominate my frenetic handwriting. Each notebook represents different moments in my life as a writer. They are evidence of my contradictions, my successes, and my failures.
There’s a black and white floral one that had plans for chapter five of my dissertation. I’m unsure whether I followed these plans. There’s a magenta notebook that feels like it is made of suede. It is not.
There are many black notebooks. One of which I cannot bring myself to open because I’m afraid of what I will find. That one is an anguished journal, in which I try to make sense of where I am at and where I have been. There are previous selves that I am not quite ready to encounter (again). There are moments I am not proud of.
At least one is repurposed. It is small and spiral-bound. The cover is green and brown. “Wine” is hastily written on the cover. Years ago, I thought I would get into wine because people I knew were into wine. I decided to document my favorites and their tasting notes. I quickly discovered that I don’t like wine that much. I feel outclassed by wine drinkers, and my tasting notes are shit. I ripped out the wine pages with much prejudice. Now, that notebook contains my thoughts on Joan Didion’s essays on self-respect and others from Slouching Toward Bethlehem, possible columns for Sexism Ed, and some colorful drawings by my daughter. Since I wrote in the notebook, she did too. A purple whale and a pink snake rest between my jottings on kindness and my summaries of episodes of The Leftovers. Writing and motherhood intermingle. Her whale makes me smile every time I thumb through that notebook. Continue reading Notebooks→
This week, I have written something everyday: pitches, blog posts, drafts, and lists. I managed to finish an agonized column that I’ve been writing off and on for two months, and I should finish a review essay by early next week. I even sent off a pitch for a personal essay on tattoos, which is a topic that I tend to not be forthcoming. Last week, I finished a column and hit “publish” on two blog posts that had been hibernating in my Evernote files for at least nine months. There are more of those to come.
More importantly, I sat down with my files on my zombie manuscript this morning to strategically plan how to finish the damn thing. I’ve done more work than I thought I had (good), but there is still so much more to be done (not bad, exciting even). I feel like I am finally back in the writing groove after my slump this summer and early fall (also good).
Here’s the thing: I like writing. I actually enjoy it. Yes, it is often hard, but I am much happier with myself when I write. I feel productive. I process what’s happening in my life. I push all my torturous thoughts onto the page to get them out of my head. When they linger, they only do do damage. On my desk I keep a note that I wrote months ago. I keep trying to throw it away, but I can’t bring myself to. My frenetic scrawl reads, If I write them down, maybe I can let them go. It is my reminder to write out the thoughts, emotions, and things that trouble me. I follow, no more agony over what could have been. This is good advice that I often don’t take. Writing saves me from myself. Continue reading Academic Writing Month: Bring it On!→
“I faced myself that day with the nonplussed apprehension of someone who has come across a vampire with no crucifix in hand,” Joan Didion, “On Self-Respect,” 1961.
Recently, I had a low week (which turned into weeks), in which every bad decision, failing, and the general wrong turns weighed upon me. I was left unhappy, brittle, and shaken. In truth, these days/weeks come less frequently than they once did. After a year away from academia, I’m no longer constantly plagued by self-doubt and anxiety. They exist as a low hum rather than a blaring radio. I still doubt myself, but I’m mostly content. I’m not quite fearless, but I am less afraid.
I recognized this bad mood as it settled upon me. I even knew why it occurred. Yet that profound feeling of not liking one’s self lingered. It was a discomforting moment where I evaluated my life and my person. The only thing to find was shortcomings, doubt, and unease. I became angry at myself for giving into the existential funk. I know intellectually that my life contains much good and happiness, but it is hard to find my way to it once the funk sets in. My mood runs dark, and my confidence dissipates. Unruly affect trumps intellect every time.
Instead of mentally reciting all of my failings, I picked up Joan Didion’s short essay, “On Self-Respect.” I’ve read and reread it many times. Notes scrawl in the margins. Passages underlined in blue and black dominate the page. Didion’s prose is unflinching and brutal. Her stark honesty appeals to me. Her words pierce polite niceties as she forces to think about what happens when we face ourselves. “Innocence ends,” she writes, “when one is stripped of the delusion of liking one’s self” (142). What happens to us when we confront who we are not who we imagine ourselves to be? What are we left with when we inspect ourselves without the benefit of rosy visions but stark assessment? This moment when delusion dissipates is when she “lost the conviction that the lights would always turn green for me” (143).
Self-deception proves difficult. Didion explains:
The dismal fact is that self-respect has nothing to do with the approval of others–who are, after all, deceived easily enough; has nothing to do with reputation, which, as Rhett Butler told Scarlett O’Hara, is something people with courage can do without (143).
To lack self-respect, then, is to be subject to “an interminable documentary” of one’s failures (144). Failures emerge as our constant companions, and we stake our worth on fickle reputations and mercurial approval of others. This is no way to live. Didion relies upon a phrase that dominated my childhood: “You’ve made your bed, now lie in it.” While adults wield the phrase as explanation for punishment, Didion notes that the only way to sleep in that bed is to have self-respect, which is our reconciliation with ourselves. Accepting responsibility for one’s own life is the first step to self-respect (145).
Didion convinces me that self-respect is not something we have or don’t have, but rather it is habit that we can develop through practice. We can train ourselves to recognize our intrinsic worth. It becomes discipline. Self worth gives us the ability “to discriminate, to love and to remain indifferent” (147). We abandon those debilitating notions of self that rely solely on the opinions of others. The goal is “to give us back to ourselves” (148).
I find myself working at the habit of self-respect, trying to ignore the notions of who I am that others cling to and trying to find who exactly is inhabiting the bed I made. This process isn’t easy as much of my self-worth has been defined externally by the lines on my CV, the list of accomplishments I could point to, and the desire for people to be proud of me.
When the CV no longer mattered and the accomplishments have no currency outside of academia, I found myself lacking. I craved the external validation that I was used to. I was disquieted by the person I’d become.
In “Bathroom Sink,” Miranda Lambert captures how I feel (like she so often does):
It’s amazing the amount of rejection that I see In my reflection and I can’t get out of the way I’m lookin’ forward to the girl I wanna be But regret has a way of starin’ me right in the face So I try not to waste too much time at the bathroom sink
Here’s the thing: I’m tired of dodging the bathroom mirror. I’m tired of rejection and regret. I’m tired of judging myself by the standards of other people. I’m tired of my happiness being tied to what I have or haven’t accomplished. I’m done with the profound sense of failure that creeps up on me in my quiet moments.
I’m building my habit of self-respect, so doubts annoy me, not paralyze me. The lights might not turn green, but that doesn’t mean that they are always red either. I’m learning to sleep well in the bed I’ve made because it is mine alone.