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Posts Tagged ‘grace period’

Sexism Ed Redux

*The academy has a gender problem. And it’s not new.*

So, Sexism Ed has been out for 28 days. (Who’s counting? I am clearly.) And there are few things that I want to direct your attention to.

First, The Revealer published an excerpt recently, which is one of my favorite essays on all the men who pretend to be allies, but really aren’t. Here’s a glimpse:

A man, who claims to be an ally and/or a feminist, has become a red flag for me. Especially if he loudly proclaims to be an ally. Especially if he looks around to see if everyone is paying attention to him. Especially if he insists on telling me about his feminism in detail while ignoring my arched eyebrow.

Second, David Perry was kind enough to interview me about the book and sexism in higher education more broadly at The Pacific Standard.  We talked about the push back I received for even bringing up sexism in academic circles:

I received emails, comments, tweets, and messages from academic men, who wanted me to know that sexism wasn’t a problem in academia. They told me about how their universities (or colleges) had women presidents. Or how their departments had a lot of women. Or how there were women in their grad programs. Or how they knew a women academic once. They sent me anecdote after anecdote about how women were doing fine in the academy to tell me that I was wrong. It was bewildering to see so many men try to shout me down for mere mention of a gender problem, which really just seemed to prove my point.

Previously, David also hosted my cover reveal, in which I wrote a whole essay (of course!) about how I came to write the columns for Chronicle Vitae that eventually became the foundation for the book:

What I found instead was that I would write about sexism, and later contingent labor, in the academy for the rest of my life. The limits that I thought I would encounter were not there. The academy has a gender problem. And it’s not new. This shouldn’t have surprised me. We live in a patriarchy, but I had hoped that academia was somehow better than the culture surrounding it.

Third, I am guest hosting this week at Nonfiction Fans: Illuminating Fabulous Nonfiction over on Facebook. I’ll be giving away a copy of Sexism Ed and a copy of Grace Period later in the week. So, make sure to pop by and ask me questions. Here’s part of my interview that started off the week:

You’ve written books on very different subjects. How did that happen?

Oh, boy, I do *write* on very different topics from white supremacists to zombies to sexism, which tends to surprise people, who, I guess, think writers stick to one topic or two. I write about what interests and fascinates me but also I write about topics that make me nervous and uncomfortable. It’s kind of like, “What’s keeping me from sleeping at night? Yes, I’ll write about that.” But, I also like to write about topics, in which we already assume we know the shape (narrative) of the story, so that I can show how the topic is always more complicated than the popular assumptions about it.

Check out the full interview here.

And finally, I wrote about my very complicated feelings about this particular book in my most recent TinyLetter:

An author is supposed to be elated when her book is published. She’s supposed to shout from the rooftops (or tweet or email or message) about her accomplishment. She’s supposed to be beaming with pride. She’s not supposed to look weary when you congratulate her about her new book. She’s not supposed to seem bummed.

(If you haven’t signed up for my sporadic newsletter, you can here.)

Lovely readers, I have a small request for you. If you pick up Sexism Ed (or any of my books), please let me know. It is the best feeling in the world to know that someone is reading my book or books.

 

No Silver Lining

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Things you forget about making a book

*You forget how much of you is in the book. You forget your investment.*

Your book was published this week. Something you created made it out into the world, and your creative work with it is finished. (Book promotion is a different story.) There’s nothing more to write for this particular book, which makes you wistful, nostalgic even. Your book was not finished. And now, it is. One book complete, and another (and another) wait to be written. You try to remember what writing this particular book was like, but your memories have already dissipated. You realize how little you remember. You realize how much you’ve already forgotten. This thought stays with you awhile.

There’s so much you forget about making a book. There’s so little you remember.

Perhaps, there’s a reason for this forgetting. Perhaps, if you remembered everything required to write this book, you would run for the hills or the mountains or the forest or the streams instead of writing another book. Perhaps, if you remembered, you wouldn’t write the next book, the next essay, the next poem, the next paragraph, the next line, or the next word. If you remembered what making a book required, maybe you would give up on writing. Maybe you might not want to create anything. But, if you forget, maybe you can write another book because you’ve forgotten the agony of a book’s beginning and the harrowing and continuing doubts about its potential.

Here are the all of the things you forget about making a book once it’s published:

You forget that a book is made word by word, line by line, paragraph by paragraph, page by page, and chapter by chapter. You build a book piece by painstaking piece. Only you. It’s yours to build. It’s yours to protect and harbor. It’s yours, it’s yours, it’s yours(more…)

In-between projects

*I’m doing all of the parts of the business of being a writer that I don’t really like.*

I’ve been seriously grumpy lately. There are many reasons for my grumpiness, but one of the main culprits is that I haven’t been writing as much as I want to. Yes, I write a column and articles for Women in Higher Education. Yes, I wrote a lecture on the artifacts of white supremacy that I gave at the College of Charleston. Yes, I wrote up a statement about why you should all move to Florida like I did.

And yet, I feel like I’m still writing less than I want to.

What occurred to me today is that I’m writing less because I’m currently stuck in-between two projects. Months ago, I finished all the writing I had to complete for my forthcoming Grace Period (Killing the Buddha press), a collection of essays about my slow transition out of academia, the loss of dreams, and the long process of  learning how to manage where I happened to land. I’ve only been editing what needs to be edited. Now, the soon-to-be book is in the hands of my excellent copy editor while I worry about everything else that needs to be finished and my strategies for book promotion. (more…)